Blog Post: And Now For Something Completely Different: Refreshing Reads from Indie Publishers

Regular readers of my blog (hi, both!) will know that I have very eclectic tastes in books. I’ll read most genres, and I like to mix things up. One of my greatest pleasures is discovering great books published by indie presses – it’s been one of the best things about joining Book Twitter. Finding new, exciting writers who are pushing the boundaries and doing something different is such a thrilling feeling.

I could have made this list three times as long, but for now, here, in no particular order, is a selection of fabulous books I’ve read recently that will hit the spot if you’re looking for something just a bit different. I’ve linked to my full reviews if you want to find out more about my thoughts on any of them, and if you click on the publishers, you can find the link to buy direct, which is a great way to support indie presses!

Charity by Madeline Dewhurst

Published by Lightning Books, this debut novel is beautifully constructed. Echoes of past actions and crimes reverberate into the present day, and nothing is quite as it seems.

Here’s the blurb:

“Edith, an elderly widow with a large house in an Islington garden square, needs a carer. Lauren, a nail technician born in the East End, needs somewhere to live. A rent-free room in lieu of pay seems the obvious solution, even though the pair have nothing in common.

Or do they? Why is Lauren so fascinated by Edith’s childhood in colonial Kenya? Is Paul, the handsome lodger in the basement, the honest broker he appears? And how does Charity, a Kenyan girl brutally tortured during the Mau Mau rebellion, fit into the equation?

Capturing the spirited interplay between two women divided by class, generation and a deeper gulf from the past, and offering vivid flashbacks to 1950s East Africa, Madeline Dewhurst’s captivating debut spins a web of secrets and deceit – where it’s not always obvious who is the spider and who is the fly.”

You can read my full review here.

Outsiders edited by Alice Slater

This brilliant anthology from 3 of Cups Press contains some staggeringly good short stories. It is also really cohesive, the different voices coming together to build something that is more than the sum of its parts. I’m already looking forward to rereading this collection.

Blurb:

“This is an anthology about people who don’t fit in. These stories explore what it is to be an outsider, from some of the most exciting voices in short fiction.

From lovers to loners, moonlighters to midnight walkers, these pages are haunted by more than ghosts: loss, lack of direction, insecurity and otherworldly hunger. 

But most importantly, it asks the question: if we’re us, then who are you?

With stories from: Julia Armfield, Jen Campbell, Sarvat Hasin, Beverley Ho, Emma Hutton, Susan James, Kirsty Logan, Lena Mohamed, Heather Parry, Leone Ross, Stephanie Victoire, Anna Walsh, Eley Williams, Lara Williams and Anna Wood and a foreword by Irenosen Okojie.”

You can read my full review here.

Absorbed by Kylie Whitehead

Absorbed is out in a couple of weeks from brand new imprint New Ruins, a joint project by two fantastic indie presses, Influx and Dead Ink. I’ll let the blurb do the talking for this one – yes, it is as odd as it sounds, and also yes, it is VERY good:

“Allison has been with Owen since university. She’s given up on writing her novel and is working a dull office job at the local council – now it feels like the only interesting thing about her is that she’s Owen’s girlfriend. But he’s slipping away from her, and Allison has no idea who she’ll be without him.

Panicking, she absorbs him…

Soon Allison begins taking on Owen’s best qualities, becoming the person she always thought she should be. But is Owen all she needs to complete herself? Will Allison ever be a whole person?

Absorbed is the original and timely debut novel from Kylie Whitehead; a darkly comic story of female insecurity, body horror and modern relationships.“

You can read my full review here. Get your pre-order in now for a delicious slice of weirdness!

Chauvo-Feminism by Sam Mills

I feel like I haven’t read as much non-fiction this year as I normally do, but this essay, published by The Indigo Press, is a powerful, important read, and it really got me thinking. Here’s the blurb:

“The 2017 #MeToo movement against sexual harassment and abuse felt like a flagship moment, a time at which women were empowered to share their stories in a spirit of empowerment and solidarity and demand change. But have some men simply changed tactics?

The latest addition to The Indigo Press’s Mood Indigo series sees Sam Mills, author of the acclaimed novel The Quiddity of Will Self (“ambitious and outrageous” Guardian), and recent literary memoir of caring, The Fragments of My Father (“brave and original” The Times) investigate the phenomenon of ‘chauvo-feminism’, where men present themselves as feminists publicly, in order to advance their careers, while privately exhibiting chauvinistic attitudes.

Through testimony from women and men, as well as her own experiences with a chauvo-feminist, Mills explores the grey areas of modern relationships, gaslighting and emotional abuse, the psychological underpinnings of the chauvo-feminist, and asks how we might move beyond ‘trial by Twitter’ to encourage an honest and productive dialogue between the sexes.”

You can read my full review here.

The Dig Street Festival by Chris Walsh

This is such a joyous, funny, big-hearted book – a quirky, surreal adventure led by three of the most original characters I’ve come across in fiction for some time. Both playful and wise, The Dig Street Festival, published by Louise Walters Books, is a book that stays with you, and I highly recommend it.

Blurb:

“It’s 2006 in the fictional East London borough of Leytonstow. The UK’s pub smoking ban is about to happen, and thirty-eight-and-a-half year old John Torrington, a mopper and trolley collector at his local DIY store, is secretly in love with the stylish, beautiful, and middle-class barmaid Lois. John and his hapless, strange, and down-on-their-luck friends, Gabby Longfeather and Glyn Hopkins, live in Clements Markham House – a semi-derelict Edwardian villa divided into unsanitary bedsits, and (mis)managed by the shrewd, Dickensian business man, Mr Kapoor.

When Mr Kapoor, in a bizarre and criminal fluke, makes him fabulously credit-worthy, John surprises his friends and colleagues alike by announcing he will organise an amazing ‘urban love revolution’, aka the Dig Street Festival. But when he discovers dark secrets at the DIY store, and Mr Kapoor’s ruthless gentrification scheme for Clements Markham House, John’s plans take several unexpected and worrisome turns…

Funny, original, philosophical, and unexpectedly moving, The Dig Street Festival takes a long, hard, satirical look at modern British life, and asks of us all, how can we be better people?”

You can read my full review here.

My Brother the Messiah by Martin Vopenka translated by Anna Gustova Bryson

My Brother the Messiah, published by Barbican Press, was such an unexpected gem of a book. For me, this is an almost perfect novel. It is deeply intelligent but not at all pretentious, tender and profound and also highly readable, and I urge you to check it out. Here is the blurb to tempt you further:

“It’s 2096. Scientists work to protect a baking planet. What a drought-stricken Europe needs is rain. What it gets is a messiah.

Eli is born in a suburb of Prague. A rainstorm heralds the birth. Perhaps this messiah is for real. Eli’s father abandons the family to become the dictator’s right-hand man. Eli’s elder brother Marek guides Eli through his short and powerful life.

Can tales of a messiah be enough to heal a ravaged planet in which few babies are born? If so, Marek works with the zeal of a prophet. Aged 72, he’s still going strong. A new follower joins Marek’s community, young Natalia. She awakens the old man to the joys of the body. But what’s the worth of a human love when the environment is collapsing? Marek sets out to find his answer.

My Brother the Messiah is a story about daring to seed the future of our planet.”

You can read my full review here.

Yes Yes More More by Anna Wood

This short story collection, published by The Indigo Press, is a breath of fresh air. Funny, piercing, original – I can’t wait to read more by this author. And I’ve never read anyone who writes nights out as well as Anna Wood!

Blurb:

“Two schoolgirls in Bolton take acid just before their English class. A film journalist shares tea and a Kitkat with Marcel Proust, more or less, during a long train journey. An afterparty turns into a crime scene. Colleagues, maybe in love, have lunch and don’t quite talk about their relationship. A woman flees to New Orleans and finds unexpected treasures there.

In her electric debut, Anna Wood skips through the decades of a woman’s life, meeting friends, lovers, shapeshifters and doppelgangers along the way. Delights and regrets pile up, time becomes non-linear, characters stumble and shimmy through moments of rupture, horror and joy.

Written with warmth, wit and swagger, these stories glide from acutely observed comic dialogue to giddy surrealism and quiet heartbreak, and always there is music – pop songs as tiny portals into another world. Yes Yes More More is packed with friendship, memory, pleasure and love.”

You can read my full review here.

Havana Year Zero by Karla Suárez translated by Christina MacSweeney

Published by Charco Press, this novel is beautifully crafted and hugely enjoyable. It has just the right mix of screwball humour and intricately plotted mystery, and I loved it. Here’s the blurb:

“It was as if we’d reached the minimum critical point of a mathematical curve. Imagine a parabola. Zero point down, at the bottom of an abyss. That’s how low we sank.

The year is 1993. Cuba is at the height of the Special Period, a widespread economic crisis following the collapse of the Soviet bloc.

For Julia, a mathematics lecturer who hates teaching, Havana is at Year Zero: the lowest possible point, going nowhere. Desperate to seize control of her life, Julia teams up with her colleague and former lover, Euclid, to seek out a document that proves the telephone was invented by Antonio Meucci in Havana, convinced it is the answer to secure their reputations and give Cuba a purpose once more.

From this point zero, Julia sets out on an investigation to befriend two men who could help lead to the document’s whereabouts, and must pick apart a tangled mystery of sex, family legacies and the intricacies of how people find ways to survive in a country at its lowest ebb.”

You can read my full review here.

Fridge by Emma Zadow

This really was something completely different – the first playscript I’ve read for a long time. Published by Renard Press, Fridge is a really engaging, active reading experience, and I loved imagining myself at the theatre watching it unfold in front of me. Here’s the blurb:

“Alice hasn’t been home for a while – for seven years, in fact. But when her little sister Lo tries to take her own life, she has to return to the life she left behind. The change of scenery from London to Norfolk proves quite the culture shock, however, and Alice has to confront what she left behind all those years ago.

The sisters’ relationship hasn’t evolved in Alice’s absence, and when she steps through the door she’s plunged back into the same world she escaped from. Set against Norfolk’s bleak landscapes, but masquerading as childhood nostalgia, Fridge is an all-too-familiar exploration of the broken promises of youth, and a bitter exposition of a generation left behind.”

You can read my full review here.

Sybelia Drive by Karin Cecile Davidson

Published in the States by Braddock Avenue Books, this is a little harder to track down in the UK, but you can find it at Blackwell’s and it is absolutely worth it. I fell deeply in love with this novel – it is a book that I feel passionately about, that deserves to be shouted about and read so widely. It is lyrical, intelligent, subtle and moving, covering an era that is perhaps more familiar from films than from literature, and I will be raving about Sybelia Drive for a very long time. Here’s the blurb to encourage you to READ THIS BOOK:

“In the small lake town where LuLu, Rainey, and Saul are growing up, day-to-day life is anything but easy. Navigating the usual obstacles of youth would be enough for anyone, but for this trio a world marred by the Vietnam War, detached parents, and untimely death create circumstances overloaded with trouble. Yet through their unyielding resourcefulness and the willingness to expose their vulnerabilities, these three friends discover deeper bonds than even they could ever imagine.

Told through kaleidoscopic images and in prose that will keep you on the edge of your seat, Sybelia Drive is a story of three friends who push beyond the typical woes of childhood into teenage years transformed by the shared baggage of a generation, years when men walk on the moon; students are killed during a peace demonstration at Kent State; and the obligations of military service claim the lives of fathers, husbands, and children.

Investigating the personal impact of social upheaval with unparalleled sensitivity and depth, Sybelia Drive is a novel that will stay with you for a long, long time. It is an extraordinary debut.”

You can read my full review here.

Cockfight by María Fernanda Ampuero translated by Frances Riddle

Published by Influx Press, this short story collection is a fierce, searing exploration of the darkest places of the human soul – in highly original ways, Ampuero probes the subjects other writers would not dare to touch. It is not for the faint-hearted, but the emotional pummelling is well worth it – Cockfight is a stunning book. Here is the blurb:

“Named one of the ten best fiction books of 2018 by the New York Times en Español, Cockfight is the debut work by Ecuadorian writer and journalist María Fernanda Ampuero.

In lucid and compelling prose, Ampuero sheds light on the hidden aspects of the home: the grotesque realities of family, coming of age, religion, and class struggle. A family’s maids witness a horrible cycle of abuse, a girl is auctioned off by a gang of criminals, and two sisters find themselves at the mercy of their spiteful brother. With violence masquerading as love, characters spend their lives trapped re-enacting their past traumas.

Heralding a brutal and singular new voice, Cockfight explores the power of the home to both create and destroy those within it.”

You can read my full review here.

Seven Nights at the Flamingo Hotel by Drew Gummerson

The first book published by new indie publisher – and now bookshop owner – Bearded Badger Publishing, Seven Nights at the Flamingo Hotel is exactly the reason we need indie presses, willing to take a chance on books that don’t fit into a conventional mold. This book is hilarious, rude and downright bizarre at times, but it is also very clever and insightful, and it uses the unusual second person ‘you’ to wonderful effect. Here’s the rather enigmatic blurb – I urge you to visit the Flamingo Hotel and discover it for yourself:

“You could’ve been someone, you could’ve been a contender, yet instead you ended up here, a dishwasher at the Flamingo Hotel. From the death of your mother, to homelessness, to insanity, and back again, to an encounter with an American serial killer, a love affair with a performance artist, to the loss of your foreskin, to living in a shed, and certain bum operations, you have only ever wanted one thing…

To find someone worse off than yourself.

And now’s your chance.

You’ve got seven nights…at the Flamingo Hotel.”

You can read my full review here.

I hope at least one or two of these magnificent books have piqued your interest – do let me know in the comments below, and please do add your own suggestions of books from indie publishers!

Happy reading!

Ellie x

Review: The Lamplighters by Emma Stonex (2021)

Blurb

They say we’ll never know what happened to those men. They say the sea keeps its secrets . . .

Cornwall, 1972. Three keepers vanish from a remote lighthouse, miles from the shore. The entrance door is locked from the inside. The clocks have stopped. The Principal Keeper’s weather log describes a mighty storm, but the skies have been clear all week.

What happened to those three men, out on the tower? The heavy sea whispers their names. The tide shifts beneath the swell, drowning ghosts. Can their secrets ever be recovered from the waves?

Twenty years later, the women they left behind are still struggling to move on. Helen, Jenny and Michelle should have been united by the tragedy, but instead it drove them apart. And then a writer approaches them. He wants to give them a chance to tell their side of the story. But only in confronting their darkest fears can the truth begin to surface . . .

Inspired by real events, The Lamplighters is an intoxicating and suspenseful mystery, an unforgettable story of love and grief that explores the way our fears blur the line between the real and the imagined.

Review

This book was another me-treat that I could not resist – I’d seen excellent reviews, and the Waterstones special edition is absolutely gorgeous (I’m a sucker for sprayed edges!). Despite my towering TBR, I decided I had been patient long enough, and finally managed to dive headfirst into life on the Maiden.

There is so much here to enjoy, from the beautifully atmospheric writing to the compelling mystery at the centre of the story. It is always refreshing to read a story with a really strong hook, a narrative drive that pushes you forward like a surging wave (I’m sorry, I’m going to find it very hard to avoid sea metaphors in this review – the sea is such a strong presence, almost a character in its own right). There is a delicious tension between wanting to unravel the mystery and find out the truth and revelling in the gorgeous language, not wanting the book to end – this, to me, is the sign of a pretty perfect novel.

I found so much to fascinate me in this book, from the day to day lives of the keepers in the Maiden tower, whose strange existence bears an odd resemblance to some of our own recent lockdown experiences, though their monotony and isolation is of course much more extreme, to the dynamics at play between the women ‘left behind’. It’s rare that two parallel narratives are both as interesting as each other, but I was as happy to spend time with Helen, Jenny and Michelle on the mainland, exploring their relationships with each other and with their absent partners, as I was on the Maiden with Arthur, Bill and Vince. There is a lovely ebb and flow (sorry, I’m doing it again) between the two strands of the narrative, and it’s a testament to Stonex’s skill that the complex structure works so well.

This book really hit the spot for me; I love beautiful prose and evocative writing, but I also love a damn good story, and when the two come together, it is reading heaven. I am entirely unsurprised by the praise that has been heaped upon this wonderful novel – every bit of it is thoroughly deserved. Both thrilling and literary, dramatic and meditative, this ticks all the boxes, and if you haven’t already had the pleasure, I highly recommend a trip to the lighthouse as soon as possible.

The Lamplighters by Emma Stonex is published by Picador and is available to purchase here.

Review: Mrs Death Misses Death by Salena Godden (2021)

Blurb

Mrs Death has had enough. She is exhausted from spending eternity doing her job and now she seeks someone to unburden her conscience to. Wolf Willeford, a troubled young writer, is well acquainted with death, but until now hadn’t met Death in person – a black, working-class woman who shape-shifts and does her work unseen.

Enthralled by her stories, Wolf becomes Mrs Death’s scribe, and begins to write her memoirs. Using their desk as a vessel and conduit, Wolf travels across time and place with Mrs Death to witness deaths of past and present and discuss what the future holds for humanity. As the two reflect on the losses they have experienced – or, in the case of Mrs Death, facilitated – their friendship grows into a surprising affirmation of hope, resilience and love. All the while, despite her world-weariness, Death must continue to hold humans’ fates in her hands, appearing in our lives when we least expect her . . .

Review

I decided to kick off May by doing something I rarely have time to do – reading a book I’ve bought for myself! I love book blogging, and have been absolutely delighted to receive so many wonderful proofs to review (when I took my blog ‘public’ last year, I had no idea such magical things as ARCs even existed!) but it is nice sometimes to just mood read and pick up a book I’ve chosen for myself. It is definitely something I want to do more of. I’d seen so many people I admire shouting about this book, I knew I’d love it. And indeed I did!

Mrs Death Misses Death is a very special book. As Wolf states in the Disclaimer: “This book is a matter of Life and Death,” and indeed, it seems to cover so much ground over its pages, through prose and poetry, that it really does seem to contain something essential. I came to the end of this book feeling wiser, more thoughtful, and grateful for the space this book gave me to reflect on those I have lost. This is a generous book, big-hearted and full of kindness. In places rude, funny, raw, beautiful, it contains within it the whole mess of being human, of living and dying, and trying to hold those experiences in language as best we can.

I think this is a book you need to be in the right mood for – you need to approach it in an open-hearted, open-minded way. It doesn’t pander to conventions, or to narrative expectations – this is a new kind of book, a new kind of reading experience, one that elevates your thinking and fills up your soul. Godden’s skill with language is dizzying – she pushes it into new shapes, breathes new life into old words, makes songs of trivia and ephemera and turns curses into words of love. It is exciting just to be in the presence of such linguistic gymnastics – to watch the story push forward the boundaries of what narrative is capable of is an incredible thing to behold.

It is hard to adequately capture my feelings about this novel in a few paragraphs – this book will mean different things to different people, there is space in between the lines for us all to inhabit this book (just as there is, literally, space at the end for our own annotations). This is a book which shows how an individual imagination can work for the collective good, and it’s a beautiful achievement. Read this book, make room for it, and let it make room for you.

Mrs Death Misses Death by Salena Godden is published by Canongate and is available to purchase here in the lovely cream indie bookshop edition (my choice!), or here in beautiful black.

Review: Yes Yes More More by Anna Wood (2021)

Yes Yes More More by Anna Wood

Blurb

Two schoolgirls in Bolton take acid just before their English class. A film journalist shares tea and a Kitkat with Marcel Proust, more or less, during a long train journey. An afterparty turns into a crime scene. Colleagues, maybe in love, have lunch and don’t quite talk about their relationship. A woman flees to New Orleans and finds unexpected treasures there.

In her electric debut, Anna Wood skips through the decades of a woman’s life, meeting friends, lovers, shapeshifters and doppelgangers along the way. Delights and regrets pile up, time becomes non-linear, characters stumble and shimmy through moments of rupture, horror and joy.

Written with warmth, wit and swagger, these stories glide from acutely observed comic dialogue to giddy surrealism and quiet heartbreak, and always there is music – pop songs as tiny portals into another world. Yes Yes More More is packed with friendship, memory, pleasure and love.

Review

Huge thanks to the author, publisher and the lovely Jordan Taylor-Jones for providing me with an ARC in exchange for an honest review.

Having recently read one of Anna Wood’s stories in the excellent anthology Outsiders, I was very keen to read more of her work. What struck me about that story was how well Wood captures the utter joy of being young and with a bunch of friends with a whole night of fun and hedonism stretching out ahead of you, glittering with possibilities. I was delighted to find that same theme repeated in this stunning collection. I honestly don’t think I’ve read anyone who writes ‘nights out’ as well as Wood, who manages to encapsulate that youthful feeling of immortality and openness and excess, without loading on judgement or warnings. It made me so nostalgic for mad nights, for that feeling of staying up till dawn and still not wanting the party to end, of connections suddenly and intimately forged in the early hours. It wasn’t all good, and I actually wouldn’t go back to my late teens/early twenties if you paid me, but my God, there were some fun times, and I wouldn’t change it.

Amongst the beautiful excess, there are other, differently-hued moments. We dip in and out of the life of Annie, sometimes entering her first person point of view, sometimes held at more of a distance by the third person. Often she seems to be a at a crossroads, deciding on whether to stay on the conventional path of a stylish London career, or whether to jack it all in and head off into the sunset. We find her in France, sipping wine outside a café; in New Orleans, having a delicious fling with a beautiful young man; in Iceland, attending a friend’s wedding. This collection comes at you in flashes, bright and brilliant, sometimes darkly hilarious, sometimes so beautiful and poignant it brings a lump to the throat. The writing is dazzling – so sharp and fresh and vivid – every sentence zings with truth.

This is one of the most original and piercing short story collections I have read for a long time, and I am excited to read whatever comes next from this phenomenally talented writer. I highly recommend you get your hands on Yes Yes More More immediately.

Yes Yes More More by Anna Wood is published by The Indigo Press and is available to purchase here.

Review: Fridge by Emma Zadow (2021)

Fridge by Emma Zadow

Blurb

Alice hasn’t been home for a while – for seven years, in fact. But when her little sister Lo tries to take her own life, she has to return to the life she left behind. The change of scenery from London to Norfolk proves quite the culture shock, however, and Alice has to confront what she left behind all those years ago.

The sisters’ relationship hasn’t evolved in Alice’s absence, and when she steps through the door she’s plunged back into the same world she escaped from. Set against Norfolk’s bleak landscapes, but masquerading as childhood nostalgia, Fridge is an all-too-familiar exploration of the broken promises of youth, and a bitter exposition of a generation left behind.

Review

First of all, huge thanks to Will at Renard Press for reaching out and inviting me on the blog tour for Fridge, and for sending me a copy of the play in exchange for an honest review. I think this might be the first playscript I’ve reviewed on my blog, which is exciting!

One of the things I enjoyed most about reading Fridge is how clearly it shows the power of theatre. So little is needed – three characters, a fridge (yes, it is literally there onstage throughout) and the magic of language. The stripped-back feel of this book give a raw, intense impression – emotions are compressed into a few lines or actions, years of bitterness and resentment explode in a single moment. It is compelling to watch the layers of past hurts get peeled back as the sisters pad around each other like snarling cats – even on the page, you can feel the energy crackle as Alice and Lo face off against each other.

Charlie is altogether a calmer presence, a mediator between the two, though he is also a source of conflict between the sisters. I grew fond of him very quickly – his soft, Norfolk-accented voice leavens the clashes between Lo and Alice, and his tender care of the animals he looks after provides a strong sense of connection to the rural land surrounding the characters. The scene where he and Alice reminisce about past exploits is beautifully written, and representative of the way in which Zadow perfectly captures the nostalgia that hangs in the air when we meet old friends, the memories that bind us together no matter how far our paths have diverged.

Lo is a fascinating character, and her mental health struggles are devastatingly portrayed and related. I was impressed by just how complicated the three protagonists and their relationships are – in a small amount of time, we see so many sides, and it feels piercingly accurate. Zadow has a real gift with language – the dialogue slips between prosaic and poetic and the weight of the meaning behind the words adds so much to this tautly written piece.

Reading this script is a wonderfully active experience – I felt fully engaged, imagining the scenes unfolding on a stage in front of me, picturing the blue-lit fridge in the middle of the stage, the howl of the wind and the clink of the milkshake bottles. I would love to see this play performed. And of course, any play that mentions David Attenborough is an absolute winner in my book!

I think Fridge would appeal to the many of us who have missed the theatre, as it conjures up so vividly that experience of giving yourself over to a creative vision you could never have anticipated or expected, the risks and experiments that theatre can take, the way a single line or action can be so loaded with meaning. Every word of this script, from stage directions to dialogue, does so much heavy lifting, so that, for a slim volume, the emotional resonance is huge. I am very grateful to have had the chance to discover this talented playwright.

About the Author

Emma Zadow is an actor, playwright and screenwriter from Norfolk whose screenplays include the hit short film The Cromer Special. Emma now lives in London.

Fridge by Emma Zadow is published by Renard Press and is available to purchase here.

April 2021 Reading: Empower Your Kids; Another Life; The Dig Street Festival; The Summer Job; Sybelia Drive; Chauvo-Feminism; Absorbed; Outsiders; Boys Don’t Cry; Poirot Investigates; Among the Beasts and Briars; Charity

I’ve had a funny old month, with a little wobble about my book blogging abilities, but I feel like I’ve come out the other side and realised that as long as I am enjoying myself and sharing the book love, it really doesn’t matter if I don’t manage to read ALL the books! Of course, relaxing and leaning into it means I actually managed to read a bit more than usual this month, because life is funny like that! So here’s a quick round-up of the 12 books I read in April, along with links to my full reviews where relevant.

Empower Your Kids! by Judy Bartkowiak (2021)

I find Judy Bartkowiak’s work really interesting and useful – I am still getting to grips with some of the concepts, but I use bits of her techniques on an almost daily basis with my little ones. This guide, Empower Your Kids, is another brilliant, friendly, helpful book. You can read my full review here.

Another Life by Jodie Chapman (2021)

Jodie Chapman’s debut novel is a beautifully written exploration of the complications that come with falling in love. There is both sadness and hope in this book, and I was very moved by it. My full review is here.

The Dig Street Festival by Chris Walsh (2021)

I had a good feeling about this book, and I was not disappointed. Walsh dives joyously into the odd lives of those who aren’t often depicted in fiction, the side-lined, the margin-dwellers, and brings both humour and poignancy to the bizarre journey he takes us on. Highly recommended – you can read my full thoughts on this fabulous book here.

The Summer Job by Lizzy Dent (2021)

The Summer Job is a sparkling, fun-filled, quirky comedy with plenty of heart and a flawed protagonist whose missteps and triumphs are a joy to follow. Perfect for sunny garden reading this spring/summer. My full review is here.

Sybelia Drive by Karin Cecile Davidson (2020)

Sybelia Drive is a stunning debut novel that absolutely blew me away, and I am already sure it is going to be one of my top reads of 2021. Interweaving the first person narratives of several characters, this astounding book feels complex and full while still being a total pleasure to read. I loved it. You can find my full review of this incredible book here.

Chauvo-Feminism by Sam Mills (2021)

Sam Mills writes boldly and frankly about the insidious rise of hidden chauvinism – men who outwardly profess alliance with the #MeToo movement, while their private actions tell a different story. A thought-provoking, powerful read that opened my eyes to behaviours that it is all too easy to ignore. My full review is here.

Absorbed by Kylie Whitehead (2021)

The first book published by new imprint New Ruins, Kylie Whitehead’s novel is a strange, horror-tinged exploration of modern relationships and individual identity. It’s a surreal yet compulsively readable book, and I enjoyed it immensely. My full review of Absorbed is here.

Outsiders edited by Alice Slater (2020)

I really loved this collection. Authors at the peak of their powers explore the titular theme in a variety of surprising and powerful ways, and it is a book I know I will be revisiting. You can read my full review of this stunning short story anthology here.

Boys Don’t Cry by Fíona Scarlett (2021)

Oh, this book is so very special indeed. I cannot urge you enough to add this to your TBR – it is a beautifully written debut novel that will stay with me forever. Click here to read my full review.

Poirot Investigates by Agatha Christie (1924)

This was our Poirot readalong book for April, and I think most of us agreed that while the short stories in this collection were fun as brain teasers, it was hard to get invested as the stories are so short. It is always amusing to see Hastings and Poirot interacting, but I am looking forward to getting back to a full novel for our May read, The Big Four.

Among the Beasts and Briars by Ashley Poston (2020)

Another readalong book – I don’t think I loved this one quite as much as some of the group, but to be fair I don’t read very much fantasy, so it was probably a bit out of my comfort zone! I loved Fox, though, and had a LOT of fun chatting with the group about the book, so I regret nothing! And the story rattles along at an impressive pace, which is always a good thing!

Charity by Madeline Dewhurst (2021)

This is a very impressive debut novel, weaving multiple genres together in a clever, satisfying way. I really enjoyed this book – you can find my full blog tour review (hot off the press!) here.

All in all, I feel like I’m ending the month on a really positive note. I have read some great books in April, and I’ve resolved to be kinder to myself and not put myself under unnecessary pressure. I even have tentative plans to read some of my own bought books in May – wish me luck!

Happy Reading!

Ellie x

Review: Charity by Madeline Dewhurst (2021) #CharityTheNovel @MDewhurst3 @EyeAndLightning @damppebbles #damppebblesbts

Charity by Madeline Dewhurst

Blurb

Edith, an elderly widow with a large house in an Islington garden square, needs a carer. Lauren, a nail technician born in the East End, needs somewhere to live. A rent-free room in lieu of pay seems the obvious solution, even though the pair have nothing in common.

Or do they? Why is Lauren so fascinated by Edith’s childhood in colonial Kenya? Is Paul, the handsome lodger in the basement, the honest broker he appears? And how does Charity, a Kenyan girl brutally tortured during the Mau Mau rebellion, fit into the equation?

Capturing the spirited interplay between two women divided by class, generation and a deeper gulf from the past, and offering vivid flashbacks to 1950s East Africa, Madeline Dewhurst’s captivating debut spins a web of secrets and deceit – where it’s not always obvious who is the spider and who is the fly.

Review

I love historical fiction, and even more so when the ripples of past actions reverberate into the present day. This debut novel intrigued me from its back cover description, and I am very grateful to the author, publisher and Emma at Damp Pebbles for my spot on the tour and for providing me with a digital copy in exchange for an honest review.

This is a beautifully constructed book which layers up past and present events in a careful and artful way, adding to our understanding of the characters little by little until eventually all is revealed. I won’t say too much about the plot as I don’t want to give anything away, but as the connections between the characters become clear, the murky questions of historical guilt, complicity, wilful ignorance and refusal to acknowledge the past all drift to the surface, as if Dewhurst is sifting through the silt of lies to uncover the truth.

The brutal and deeply distressing treatment of Kenyan prisoners held by the British under the pretext of quashing the Mau Mau rebellion was not something I knew much about, and these sections were the most impactful for me. Charity’s desperate situation is heart-breaking and rage-inducing, not to mention very traumatic to read at times. The contrast between these sections and the more modern storyline of Lauren, a beauty student, moving in with the elderly Edith in her posh London house, and the often comic scenes that the latter situation produces, shows the tonal range of this book, which crosses not only geographical but also genre boundaries. This book is many things at once: a powerful historical novel, a situational comedy, a mystery, a ghost story, and many other things besides.

What is most impressive is how Dewhurst manages to balance the many strands and ‘modes’ of the story, weaving a complex tapestry that shows enormous skill, especially considering this is a debut novel. It’s a strikingly original book, bold in its unflinching expose of the horrors of colonial rule and its refusal to sweep the past under the carpet. The complexities of the interplay between the modern day characters are nuanced and mutable; as the situation in the black-doored house reaches its boiling point, it is hard to know where our true sympathies should lie.

I really enjoyed this book, it kept me on my toes, never quite knowing where it was going to lead me next, but always happy to follow along. It is a pacy read, complex and puzzling without being overly confusing, and it illuminates the long-lasting traumas of colonial brutality in a fresh, original way. I am really looking forward to reading more of Madeline Dewhurst’s work in the future.

About the Author

Madeline Dewhurst studied English at Queen’s University Belfast and went on to complete an MA in Research and a PhD at Queen Mary, University of London. She also has an MA in Creative Writing from Royal Holloway.  She is an academic in English and Creative Writing at the Open University.

Her previous writing includes fiction, journalism and drama. Charity, which was longlisted for the Bath Novel Award, is her first novel.

She now lives in Kent.

Social Media

Twitter: https://twitter.com/MDewhurst3

Facebook: https://www.facebook.com/madelinedewhurstauthor

Instagram: https://www.instagram.com/madelinedewhurst/

Purchase Links

Amazon UK: https://amzn.to/31UqHMP

Amazon US: https://amzn.to/3dJSYv5

Waterstones: https://bit.ly/3s2gEjF

Foyles: https://bit.ly/2RiKJPf

Book Depository: https://bit.ly/39RKsZU

Kobo: https://www.kobo.com/gb/en/ebook/charity-35

Google Books: https://bit.ly/2RjGzqn

Charity by Madeline Dewhurst is published by Lighning Books in digital and paperback formats and was released on 26th April 2021.

Review: Boys Don’t Cry by Fíona Scarlett (2021)

Boys Don’t Cry by Fíona Scarlett

Blurb

Joe is 17, a gifted artist and a brilliant older brother to 12-year-old Finn. They live with their Ma and Da in a Dublin tower block called Bojaxhiu or ‘the Jax’. It’s not an easy place to be a kid, especially when your father, Frank, is the muscle for the notorious gang leader Dessie ‘The Badger’ Murphy. But whether it’s daytrips to the beach or drawing secret sketches, Joe works hard to show Finn life beyond the battered concrete yard below their flat.

Joe is determined not to become like his Da. But when Finn falls ill, Joe finds his convictions harder to cling to. With his father now in prison, his mother submerged in her grief, and his relationships with friends and classmates crumbling, Joe has to figure out how to survive without becoming what the world around him expects him to be.

Review

I’d seen so many brilliant things about this book that pre-ordering it was a no-brainer, and once it arrived, I couldn’t resist diving in almost straightaway. I’m so glad I did, as Boys Don’t Cry is such a special book – and yes, you will need plentiful tissues.

The chapters alternate between the two brothers, Joe and Finn, and it was a matter of pages before I realised I had taken both of them into my heart. There is a special kind of magical quality to writing that can create fictional characters who seem absolutely real – it doesn’t happen all that often, and it is such a thrill and a gift. Fíona Scarlett’s book is absolutely given over to the two voices of the boys, in a generous and full-hearted way, allowing their utterly authentic first person narratives to carry the story along without authorial intrusion (this makes it sound like I don’t know that she wrote it – what I MEAN is that you can completely believe in the two characters as real people as you immerse yourself in their individual voices!)

The threat of heartbreak is present from the beginning, and I was wet-eyed long before the full-on sobbing episode I had towards the end of the book. But it never feels as if Scarlett is playing with our emotions or going for ‘tragic effect’ – my growing sadness as I read came out of a genuine affection for the boys, who, as well as being authentic and funny and touching, are also nicely contrasted, so that Finn’s innocence and naivety finds its opposite in Joe’s disillusionment about the future and the hopelessness that threatens to overwhelm him when he tries to imagine forging a different path from the one that seems laid out for him.

There are echoes here, for me, of What Beauty There Is by Cory Anderson, which also deals with a beautiful sibling bond, and of David Joy’s Where All Light Tends To Go, a story in which a teenage boy faces similar struggles to Joe in his attempts to escape the bonds of his family history. The difference here is in the location – Boys Don’t Cry is absolutely rooted in its gritty Dublin setting, and every sentence shimmers with authenticity and realism. I don’t do audiobooks, but I can imagine this would be a fantastic one to listen to – as it was, I heard the voices clearly in my head and loved every line of it.

This isn’t a long book, but it doesn’t need to be – it packs more punch than novels twice its length. Moving without being sentimental, soft and harsh all at once, Boys Don’t Cry is an incredible debut novel, and I am SO excited to see what Fíona Scarlett produces next. In the meantime, Finn and Joe, and Annie and Sabine, too, for that matter, are going to stay with me for a very, very long time, and I am grateful to have been gifted their presence.

Boys Don’t Cry by Fíona Scarlett is published by Faber & Faber and is available to purchase here.

Review: The Summer Job by Lizzy Dent (2021)

The Summer Job by Lizzy Dent

Blurb

Have you ever imagined running away from your life?

Well Birdy Finch didn’t just imagine it. She did it. Which might’ve been an error. And the life she’s run into? Her best friend, Heather’s.

The only problem is, she hasn’t told Heather. Actually there are a few other problems…

Can Birdy carry off a summer at a luxury Scottish hotel pretending to be her best friend (who incidentally is a world-class wine expert)?

And can she stop herself from falling for the first man she’s ever actually liked (but who thinks she’s someone else)

The Summer Job is a fresh, fun, feel-good romcom for fans of The Flatshare, Bridget Jones and Bridesmaids.

Review

I got a proof copy of this from Penguin Viking via my friend @bkslovelythings, who always looks after me and makes sure I get treats when I need cheering up! Thank you, Jo, as always! It took me longer than I wanted to get around to reading The Summer Job, but perhaps I can claim I was waiting for the sun to finally put in an appearance!

There has been a lot of love for this book on Twitter, and I can see why. This is a fizzing, funny, surprising novel that carries you along with its sheer zest and enthusiasm. The premise is the stuff of Hollywood comedies – a classic identity switch with hilarious consequences – but the way the story progresses is quirky and unexpected. Birdy is a great character, lost and drifting but with a fabulous sense of humour and a great line in swearing – it is easy to empathise with her, even when some of her more unlikeable character traits come to the fore. She is perfectly pitched as the adult who struggles to adult, and, as we learn about her childhood, we gain even more sympathy with her, though the hints of her traumatic past are subtle and never over-done.

James, the chef at the hotel who becomes the inevitable love interest, is the first fictional character I have properly fancied in quite a long time! He’s slightly awkward and gorgeous and kind and could whip you up a cordon bleu meal – what’s not to love?! I was rooting for these crazy kids all the way. And although, this being a romantic comedy, we know where we’re going to end up, Dent still manages to throw in plenty of speed bumps and surprises before we get to the end of this fun-filled ride.

I have mentioned before that I don’t read a lot of love stories, but this one really made me smile (and occasionally snort with laughter in a very unattractive way), and I can’t think of a better read for a sunny day on a (local) beach or out in the garden. Grab your sunglasses and settle down with Birdy this summer – you won’t regret it!

The Summer Job by Lizzy Dent is out now from Penguin and is available to purchase here

Review: Outsiders edited by Alice Slater (2020)

Blurb

This is an anthology about people who don’t fit in. These stories explore what it is to be an outsider, from some of the most exciting voices in short fiction.

From lovers to loners, moonlighters to midnight walkers, these pages are haunted by more than ghosts: loss, lack of direction, insecurity and otherworldly hunger. 

But most importantly, it asks the question: if we’re us, then who are you?

With stories from: Julia Armfield, Jen Campbell, Sarvat Hasin, Beverley Ho, Emma Hutton, Susan James, Kirsty Logan, Lena Mohamed, Heather Parry, Leone Ross, Stephanie Victoire, Anna Walsh, Eley Williams, Lara Williams and Anna Wood and a foreword by Irenosen Okojie.

Review

I have been meaning to read this collection for ages, and I am so glad I finally found a space for it in my busy reading life. The anthology has a foreward by Irenosen Okojie, whose brilliant short story collection Nudibranch I raved about last year, and many of these stories seem tinged with her influence, playing with the borders of reality, pushing boundaries and revelling in the strange gorgeousness of language.

The list of authors involved reads like a shelf of my own TBR bookcase – I’ve just bought Leone Ross’s new novel This One Sky Day; Salt Slow by Julia Armfield is one I think I would love; Eley Williams and Anna Wood are also waiting patiently on my shelf. So it is no surprise that reading this anthology felt like coming home, like swimming in the murky, silky waters of the type stories I love. I am even more excited to read more by these authors now.

My favourite stories were Anna Wood’s ‘Francine,’ a deceptively simple tale of a chance encounter at a festival; ‘Peep Hole’ by Leone Ross, ‘Skin’ by Lena Mohamed, which reminded me of the work of Carmen Maria Machado in My Body and Other Parties, the bizarre and frankly hilarious ‘Sinkhole’ (sorry, I can’t work out how to do a heart instead of the ‘o’!) by Emma Hutton, and Susan James’ subtly heart-breaking ‘But Not Like That’. However, in each and every story, I found much to admire and ponder – these stories go deep, and I want to reread the whole collection, probably several times.

What surprised and delighted me the most about this collection was how cohesive it felt. The common theme of being an outsider is not overplayed – it is subtler in some stories, almost a background note, but it adds so much to the anthology as a whole, so that the stories thread together like beautiful beads on a necklace. We dip our toes into horror, love stories, tales of grief and friendship and loneliness, and leave feeling wrung out from our immersion in the whole spectrum of feelings presented here. This is a collection to revisit, to cherish, to dive into again and again.

Outsiders edited by Alice Slater is out now from 3 of Cups Press and is available to purchase here.