
Blurb
For fans of Sebastian Faulks, Donal Ryan and Anne Tyler comes this beautiful novel following two troubled men, separated by nearly a century, bound by the ghosts of their past
When George Allenby is put in charge of building a lake in the grounds of an imposing Irish manor house, he intends to do the job as swiftly as possible and return to Belfast. Allenby is still wrestling with his time as an officer during the First World War, burdened by the many things he could have done differently.
Almost a century later, Alex and Ellie are preparing for their wedding, sparing no expense to hire a venue overlooking the very lake Allenby built all those years ago.
Like Allenby before him, Alex is haunted by decisions he made in the past. Now, with the wedding drawing ever closer, he is at a crossroads. Telling the truth might free him from his guilt; it might also take away everything he cares about, including Ellie.
In this masterful portrait of love and betrayal, David Park reveals the many ways the past seeps into the present: destructive, formidable, but also hopeful, in the moments of fragile beauty that remain.
Review
Many thanks to the publisher and the lovely Squadpod for providing me with a copy of the book in exchange for an honest review – once again, my apologies for the delay!
Somehow, I have never read any of David Park’s books before now. But I was intrigued by this book just from the title, and when I read the blurb, I knew it was right up my street. Historical fiction with a dash of magical realism is my bag, both as a reader and a writer, and the way the ghosts of the past slip into the present in this novel has given me food for thought for my own work-in-progress, which is always a thrill.
The story centres around a dual timeline narrative: George Allenby constructing a lake at Manor House in the early twentieth century, and Alex and Ellie planning their wedding on the same site nearly a hundred years later. However, there are many other hints and teasers of further stories, as the ghosts teeming around the various settings jostle for position. The theme of buildings, with both Allenby and Alex working in roles related to construction and properties, and the echoes of the lives that have walked through them, is powerfully explored, and there is an atmospheric hum to the narrative that suggests layers of existence piling up on top of each other in an almost archaeological formation.
I really felt for the characters, in all their complex, messy, human knottiness, particularly George, Cora, Alex and Ellie – there is a realism to the portrayal of the two couples at the centre of the book that offsets the more experimental, lyrical ‘ghost’ scenes. And yet in every case it is the past that creeps in: George is haunted by his experiences in the First World War; Alex by a secret he can’t escape from. There’s an ache to the griefs and memories carried by all of the characters, a bruised realness to their secrets and traumas. And yet it is a hopeful novel, too, exploring the power of love and connection.
The story is so carefully constructed, showing incredible skill and poise from the author. In the main narratives, the two love stories that play out across time are brought together in a way that is stunningly beautiful and clever. The prose throughout the book is elegant, precise, melancholic: this is a moving, intelligent, careful exploration of the liminal spaces between human existence. It’s a book that lingers – I will be thinking about it for a long time. I am looking forward to exploring more of David Park’s work now I have finally discovered him, and I highly recommend Ghost Wedding as a great place to start if you’re also new to his books.
Ghost Wedding by David Park is published by Oneworld and is available to purchase here.






